My 16 Best Films of 2016

Releasing your film as close as you can to the Oscar deadline may keep it fresh in the mind of Academy voters, but it does make it tricky to keep a track of for your more casual viewer.

Throw in the time delay between US and UK releases and even the most fervent cineaste could be forgiven for forgetting exactly when their favorite film was released.…

Fantastic Beasts… (Electric Shadows podcast)

Robs Daniel & Wallis do a late night review of Fantastic Beasts and Where to Find Them, having just watched the movie. Slightly tired (and punchy), the two embark on a spellbinding odyssey that covers inter-species coupling, the right way to cast spells, Eddie Redmayne’s fictitiously Batesian relationship with his mum and comparing King Kong to Sonny Corleone.
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Allied, or They Don’t Make ‘Em Like They Used To

Allied is an injection-filled wartime romance in the classic mold that can’t help but feel like a loving but noticeably artificial knock-off.

Maybe its the CG-augmented opening shot of a rolling desert, straight out of Lawrence of Arabia, or the cinematically-significant setting — Casablanca no less, known equally for the city and the film that inspired the name of this very site — that director Robert Zemeckis shoots sweepingly but without particular character.…

Free Fire (LFF Day 10)

Say what you want about overvaulting cinematic ambitions – I’m looking at you, Terrence – it’s sometimes refreshing to see a talented filmmaker take on a simple concept and carry it off with flair and aplomb.

In the case of Free Fire, the latest from British auteur Ben Wheatley, the concept is this: the third-act shootout, with which any self-respecting crime thriller must surely culminate, instead kicks off less than twenty minutes in and occupies the rest of its ninety-minute run-time.…

I, Daniel Blake is a rallying cry for social justice

There’s something strange about reviewing a Ken Loach film in 2016.

When I was born, Kes was already a perennial classic from my parents’ childhoods, and, almost a quarter century on, that film pushing fifty, Loach is still there directing socially pertinent work.…

LFF Day 8: Prevenge & Brimstone

REVIEWS IN 300 WORDS

Prevenge
Hell hath no fury like a woman scorned — though the wrath of the pregnant Ruth (writer-director Alice Lowe) still isn’t half as great as that of her unborn brood.

Ruth has suffered a recent tragedy, one that has the baby inside her baying, albeit sweetly, for the blood of those she holds responsible.…