Of all the film sites on all the nodes of the internet, you ended up here, so thanks for that
Finally released from development hell, Rupert Sanders’ The Crow feels tailor-made for Netflix.
Its gritty, “realistic” visuals and its try-hard Hot Topic aesthetic have all the genuine edge of a safety razor. Gone is the brooding Gothic camp of the original, replaced with… very little.…
Sorry for the delay if you’re trying to stay up-to-date on the London Film Festival. I’ve been a bit lax in getting it written up.
Even so, enjoy these capsule reviews of everything I saw over the course of Days 4-6.…
