Right, where to begin. Mommy, the latest work of French-Canadian filmmaker Xavier Dolan, plays like a hyper-saturated soap opera underscored with Greek tragedy and just a dash of plot-convenient alternate universe social community.
Set in a Canada where its legal to indefinitely commit problem kids at the age of sixteen, Mommy revolves around Diane “Die” Després (Anne Dorval), a gutsy, sometimes glamorous single mum who, first we see her, is stepping out a car wreck; a few minutes later Die’s smacking gum and staring down a teacher who questions her ability to look after her troubled son, Steve (Antoine-Olivier Pilon).…