Rampling and Courtenay shine in 45 Years

 

What do you do when you discover your life is built on a lie — or, if not a life, a truth half-told?

That is the dilemma that Kate Mercer (Charlotte Rampling) finds herself in after 45 years of marriage to Geoff (Tom Courtenay); a childless couple comfortably set in their ways after more than half a lifetime together — closer to two-thirds in fact.…

Partisan is a film with allegory issues

 

A grey curve of mountain road. A forested valley overshadowed by dilapidated tower blocks. A dog howls, off.

Nonspecific in its exact time and place, though vaguely Baltic in its devastation, the inhospitable landscape into which Partisan immerses us makes a strong case for any sort of alternative, as offered by Vincent Cassel’s Gregori.…

The Big Short goes long on edudrama and it pays off – magnificently

You wouldn’t think the recent global financial crisis would be the stuff of comedy, but The Big Short makes it funny – and educational, and genuinely moving.

Directed and co-written by frequent Will Ferrell collaborator Adam McKay (Anchorman, Talladega Nights) and with an all-star cast, including Christian Bale, Steve Carrell, and Ryan Gosling, The Big Short makes for a highly entertaining (and instructive) study of greed, fraud, and three groups of people who sought to profit from the meltdown before it happened.…

More coming-of-age dramas should take a page from Diary of a Teenage Girl

 

Is there any story more immediately relatable than the coming-of-age?

After all, we’ve all grown up; all felt, to one extent or another, the confusion of feeling yourself changing, of becoming someone new. While Boyhood, for instance, documents the scope and detail of twelve whole years of maturation, Diary of a Teenage Girl focuses on the awakening of its protagonist’s sexuality over the course of a few key months.…

Grandma is an endearing tale of OAP rebellion

 

“Where can you get a reasonably priced abortion in this town?”

Elle Reid is not your run-of-the-mill septugenarian. With her mane of dark hair and her acerbic wit, she’d look more at home at a ‘60s campus demonstration than a retirement community.…

Black Mass is the parable of Johnny Depp and the Good Acting Choice

 

Everybody loves a good gangster film.

Whether you prefer the shadowy family drama of The Godfather or the stunning expose of Goodfellas, the criminal lifestyle lends itself to a myriad of different portrayals. In the case of Black Mass, it’s the codependent relationship between the Irish-American Mob in South Boston AKA Southie and the FBI.…

Steve Jobs is a near perfect fusion of functionality and artistry

 

What is the current fascination with technology entrepreneurs?

From The Social Network to AMC’s Halt and Catch Fire, key figures in the PC movement, real or imagined, have grown to legendary status in the public consciousness. Perhaps it’s because they are ambitious dreamers, mavericks who shape the way we interact with the world — by way of example, this review was drafted on an iPhone and written up on a Macbook — or perhaps because they provide an point of entrance into the digital realm, which is otherwise so hard to dramatize.…

Manglehorn is not exactly the summit of Pacino’s career but at least it’s on the slopes

 

If you were looking for a word to describe Al Pacino’s acting career over the past two decades chances are “understated” would not be it.

Generally regarded as one of the finest actors ever to have graced the silver screen, it nevertheless seems sadly fitting that his only Oscar win came as the blind, bellowing Frank Slade in Scent of a Woman.…

Suffragette is a worthy but overly respectable

 

As with The Imitation Game, which kicked off last year’s London Film Festival, Suffragette — another period drama — is a quintessential work of British cinema. It too tells an important story.

Instead of the huts of Bletchley Park, we find ourselves at an East End laundry circa 1913, the workplace of Maud Watts (Carey Mulligan) and dozens of other industrious women.…

James White is a compelling study of Millennial lostness

 

James White, the film, is the directorial debut of James Mond, third member of the Borderline Collective (he worked as producer on Sean Durkin’s Martha Marcy May Marlene and Antonio Campos’ Simon Killer).

James White, the character, stunningly captured by Chris Abbott, is a twenty-something washout whose look recalls both Josh Hartnett and Kit Harrington.…