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Everyone looks cool in leathers.
This would seem to be the main ethos behind Jeff Nichols’ The Bikeriders.
Based loosely on Danny Lyon’s photo-book of the same name, compiled from 1963-’67, the film follows the Vandals, a fictionalized Midwest motorcycle club composed mostly, in this telling, of movie stars and characters actors.…
Having thoroughly skewered the male-female power dynamic in Promising Young Woman, in Saltburn Emerald Fennell turns her withering eye on another social structure: the British class system.
Newly arrived at Oxford University, scholarship student Oliver Quick (Barry Keoghan), bright, studious, and dressed like Harry Potter newly arrived at Hogwarts – all house scarf and specs – struggles to fit in amid the bright young things.…
My Sailor, My Love is a late-life romance drama that gives its elder leads the respect of complex, or at least lived-in, characterization.
Howard (James Cosmo) is a retired sea captain, long widowed, who lives alone on the coast of rural Ireland.…
The sixth film in the long-running Essex hardman franchise, Rise of the Footsoldier: Vengeance is entertaining, convoluted, and… strangely progressive?
Returning as Pat Tate, a fictionalised version of a real-life wrong’ un, Craig Fairbrass gives us a slightly cuddlier, more sympathetic version of the character than the coked-up psychopath of some previous installments.…
Given how littered it is by corpses, it’s remarkable the extent to which ghosts are absent from the murder mystery genre.
Aside from the plot ramifications – it’s tricky sustaining the whole “whodunnit” aspect when you have an incorporeal witness – it does tend to undermine the foundation of rationality on which the process of detection is built.…
Nearly a decade on from the first movie, I find myself reviewing the third and reportedly final instalment of Denzel Washington-Antoine Fuqua’s Equalizer franchise.
For the conclusion of a trilogy, albeit one with no narrative through-line, The Equalizer 3 might be the most confusing blockbuster I’ve seen since Tenet.…
The directorial debut of It’s Always Sunny in Philadelphia‘s Charlie Day, Fool’s Paradise poses the question, seems initially to pose the question, where is the line between madness and creativity?
Unfortunately, it poses many other questions and without particular clarity, wit or insight.…
Spouses Carolyn and Jonathan (real-life married couple Amber Tamblyn and David Cross) argue about everything. The only thing they do agree on is that their longtime therapist, Don (Tobias Menzies), looks tired.
The issue of honesty is at the heart of You Hurt My Feelings, Nicole Holofcener’s casually incisive dramedy that poses the question, when does being supportive become lying?…
They say time heals all wounds, but for those who still bear the scars of the last adventure, Indiana Jones and the Dial of Destiny is just another twist of the knife.
Fifteen years have passed since Kingdom of the Crystal Skull and our intrepid, whip-cracking archaeologist is now himself a relic.…
Wes Anderson’s latest is a retro-futurist ’50s postcard that touches intriguingly, if perhaps too lightly, on the theme of making sense of meaninglessness.
Framed as an episode of a black-and-white anthology drama series, complete with Serling stand-in (Bryan Cranston), Asteroid City is at once about the making of a fictional play and a televised colour production of that play.…
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