Ponderous and imponderable, Knight of Cups is, like its protagonist, easily led


 

Knight of Cups is a film you could drown in – a vast thematic ocean lapping against the distant shore of some grand, obscure vision. And I don’t have any f**king trunks.

As a director-philosopher (or should that be philosopher-director?),…

Alejandro Gonzalez Iñárritu’s latest, The Revenant, is a bit of an endurance test

Okay, so I have a problem with The Revenant.

It’s not the same issue I had with Argo back in 2012 (a decent retro thriller, not a Best Picture) or even with The Theory of Everything or American Sniper last year (good performances, not much else — also by no means indispensable).…

Gravity is a technically stunning work of (plausible) thematic sci-fi

 

I wrote a piece a while back on how Alfonso Cuarón showed signs of becoming one of the 21st Century’s foremost directors of science fiction – up there with Duncan Jones, Neill Blomkamp, and Shane Carruth – just on the strength of 2006’s Children of Men.