REVIEW: Colour Out Of Space [LFF 2019]

Colour Out Of Space, Richard Stanley’s first film since being fired from 1996’s The Island Of Doctor Moreau, loses itself in what is, essentially, the colour of the inside of your eyelids.

The pink glow in question comes from a mysterious meteorite, which crashes down on the front lawn of the Gardner family, a bunch of city-dwellers recently escaped to rural Massachusetts.…

The Messenger delivers some originality from a hackneyed premise

 

In a world of heavyweight prestige pieces, like the upcoming Suffragette, and straight-to-Sunday-evening light dramas, like the charming but forgettable Mr. Holmes, the British film industry does seem to be lacking in low-budget genre (excluding the ever-present straight-to-DVD Mockney gangster contingent.) The Messenger is a nice exception to this rule.