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Hard-bitten cop “Dirty” Harry Callahan must save San Francisco from a killer who’s bumping off resident celebrities. No, wait, sorry: that’s The Dead Pool. Deadpool is the latest addition to FOX’s Not-Quite Marvel Cinematic Universe. It’s their Guardians of the Galaxy with the weirdness factor ramped up to eleven.
But where Kevin Smith’s Tusk was about a vicious comic forcibly losing his humanity due to a mad experiment, Yorgos Lanthimos’ The Lobster is altogether more social and universal.…
It’s not the same issue I had with Argo back in 2012 (a decent retro thriller, not a Best Picture) or even with The Theory of Everything or American Sniper last year (good performances, not much else — also by no means indispensable).…
It’s not often, though, that the industry takes its licks for the mistakes it’s made along the way.
Writ large among them is, of course, the blacklist, which saw scores of talented, Left-leaning film-makers left out in the cold as the paranoia surrounding Communism reached fever pitch.…
“I guess the Father was ‘helping out’”, a stocky old-timer wryly comments to a redheaded rookie as a likely sex offender is ushered into the back of a snow-frosted black sedan and away from prosecution.…
Perhaps you favor the expressionistic majesty and revelry of Welles’ Chimes at Midnight, or maybe the jazzy, black-and-white sophistication of Joss Whedon’s contemporary Much Ado.…
After a triumphant first bout that launched Sylvester Stallone into the big-time, the series steadily descended into cheesy self-parody. After the judge’s decision of Rocky IV — great villain, hilarious overuse of musical montages — and the knockdown loss of Rocky V — which ended with the Italian Stallion beating some ginger lout in a street brawl — Rocky Balboa allowed the former champ (both the title character and Stallone himself) to make a semi-graceful exit.
It’s full of space and objects, enough so that we can overlook just how much “thingness” there is to our everyday existence. Imagine a world then of only ten feet by ten feet, a world where every item has a sense of permanency to it: Bed, Wardrobe, Skylight.…
Perhaps you favor the expressionistic majesty and revelry of Welles’ Chimes at Midnight, or maybe the jazzy, black-and-white sophistication of Joss Whedon’s contemporary Much Ado. For all the promise of its conception, Justin Kurzel’s Macbeth does not stand among their exalted ranks.
That is the dilemma that Kate Mercer (Charlotte Rampling) finds herself in after 45 years of marriage to Geoff (Tom Courtenay); a childless couple comfortably set in their ways after more than half a lifetime together — closer to two-thirds in fact.…
