REVIEW DOUBLE BILL: Atomic Blonde & Shin Godzilla

Atomic Blonde

James Blonde. Joan Wick. Taken with a pinch of Salt.

It may sound derivative, but it’s a formula that can reap bountiful rewards. You take a frosty cool female lead, drop them into a previously male-dominated genre, and unleash their ass-kicking potential.…

PODCAST: Atomic Blonde & Shin Godzilla [Electric Shadows]

In Episode 29 of The Electric Shadows Podcast, myself & Rob Daniel explain why Atomic Blonde ultimately fails to detonate and why you should check out the monstrously fun Shin Godzilla.

I also outline again to Rob D. why he really doesn’t need to bother seeing Valerian and we both discuss why a gay love scene in the next James Bond might justify Daniel Craig staying in the role.…

RETROSPECTIVE: Desire, criminality, & hope in Prick Up Your Ears & Victim

2017 marks fifty years since the Sexual Offences Act was introduced in the UK, which led to the partial decriminalization of male homosexuality.

It’s also, coincidentally, fifty years since the death of taboo-busting gay playwright Joe Orton.

The BFI is currently presenting two separate seasons inspired by these events, Gross Indecency and Orton: Obscenities in Suburbia.…

RETROSPECTIVE: The Swimmer in the Age of Trump

‘When you talk about The Swimmer will you talk about yourself?’

So runs the poster tagline of Frank Perry’s sunny, psychologically fraught 1960 melodrama. While it’s true the film’s themes do have, if you’ll pardon the pun, a certain currency, they do seem particularly relevant in this; the so-called Age of Trump.…

REVIEW: The Emoji Movie – sad face, poop emoji, poop emoji, fuck this shit

Now I usually enjoy giving a terrible film a booting as much as the next reviewer, but there’s something about The Emoji Movie that’s so utterly dispiriting that it even takes the joy out of that.

Rather than simply being utterly misjudged in the way that, say, Batman V Supermanthat redoubtable object of loathing for me, was misjudged – The Emoji Movie gives no impression that anyone ever sincerely expected it to be good.…

REVIEW: Detroit – anger on the streets, horror at the Algiers Motel

Returning from a five-year hiatus, director Kathryn Bigelow seems likely to trouble Academy again with a film that, unlike the ambiguously pro-torture Zero Dark Thirty, shows the real factors at play behind “enhanced interrogation”.

A hard-hitting depiction of racial animus in America, Detroit opens with an animated prologue that uses vivid, mural-style artwork – like the wall of some grand municipal station brought to life – to lay out the plight of African-Americans in the lead up to 1967.…

PODCAST: Dunkirk, Valerian, WftPotA, & Baby Driver [Electric Shadows]

In Episode 27 of the Electric Shadows Podcast, myself & Rob Daniel take a deep dive into Christopher Nolan’s latest, the extraordinary Dunkirk – what makes it the best film of the year (for at least one of the Robs), why the different timelines work so well, why R&R both wholeheartedly recommend seeing it in IMAX, and a whole lot more.…

REVIEW: Valerian and the City of a Thousand Planets makes imagination boring

The space opera is well on its way to becoming my least favourite genre; romcoms included.

Embracing a gaudily frenetic aesthetic may make for a great splash panel in a comic book but it rarely leads to satisfying cinema. Case in point: Luc Besson’s latest, Valerian and the City of a Thousand Planets.…

REVIEW: The Big Sick – a relationship comedy where one party is out for the count

It’s been said that comedy is a natural response to tragedy; indeed, humour is proven to speed recovery.[none]Patch Adams can still fuck off, though.[/note]

Even so, taking perhaps the worst period of your life and turning it into a romcom, that most disposable of genres, is certainly a bold move.…