Star Wars: The Force Awakens recaptures much of the old magic, but leaves it to future installments to take the risks.

 

 A long time ago in a galaxy far, far away…”

After the prequels more or less managed to strip the gloss off the franchise1, it seems apt that the opening lines of Star Wars: The Force Awakens refer to a sort of redemption.2

This long-awaited, almost mythical follow-up to the Holy Trilogy3 has the added advantage/burden of returning to the three characters we actually care about; namely Luke4, Han, and Leia.

Mia Madre is an insubstantial meditation on grief

 

For a film about the process of losing a loved one, Mia Madre (My Mother), the latest from writer-director Nanni Moretti, has a deceptively light touch.

Margherita (Margherita Buy) is a supposedly well-respected director of sensitive social realist dramas — her latest project is a polemic examination of factory workers fighting for their jobs in the face of layoffs.…

Future Shock! provides a necessary jolt to comic book lore

 

What comes to mind when you think of influential comics?

Maybe you think of the big publishers, DC or Marvel, or maybe your mind leaps straight to iconic graphic novels, like Watchmen or The Sandman. What, though, about sci-fi anthology 2000AD. 

Grandma is an endearing tale of OAP rebellion

 

“Where can you get a reasonably priced abortion in this town?”

Elle Reid is not your run-of-the-mill septugenarian. With her mane of dark hair and her acerbic wit, she’d look more at home at a ‘60s campus demonstration than a retirement community.…

Get your skates on for Cold War sporting doc Red Army

 

The Russians have always made for great villains.

Ever since the Berlin Wall went up, we’ve been menaced by burly, no-nonsense blokes with names like Ivan Drago. It’s a different sporting arena that provides the subject for Gabe Polsky’s Red State.…

Black Mass is the parable of Johnny Depp and the Good Acting Choice

 

Everybody loves a good gangster film.

Whether you prefer the shadowy family drama of The Godfather or the stunning expose of Goodfellas, the criminal lifestyle lends itself to a myriad of different portrayals. In the case of Black Mass, it’s the codependent relationship between the Irish-American Mob in South Boston AKA Southie and the FBI.…

Bridge of Spies is a classic Cold War drama from the master of popular cinema

2015 was the year of onscreen espionage: Spy, Kingsman, Mission: Impossible, and, of course, Specter. Bridge of Spies seems like the first one likely to trouble Uncle Oscar.

The film opens in 1957 at the “height of the Cold War” as a title card helpfully informs us.…

The Lady in the Van is a chip (in the sugar) off the old Bennett block

 

For a man widely regarded as Britain’s best-loved living playwright, Alan Bennett sure does have a fixation with old ladies.

It’s a perception Bennett himself laments in The Lady in the Van. He claims he’d much rather be writing about spies.…

He Named Me Malala captures its subject’s achievement but misses out on the full story

 

What were you doing when you were seventeen? If your answer is “Taking the President of Nigeria to task over his failure to secure the return of kidnapped schoolgirls from Boko Haram”, then you must be Malala Yousafzai.

Now perhaps the most recognisable eighteen year-old on the planet, the activist and two-time Nobel laureate is now the subject this documentary from director Davis Guggenheim, which does justice to the scope of her achievements, if not the complexity of Malala herself.…

Steve Jobs is a near perfect fusion of functionality and artistry

 

What is the current fascination with technology entrepreneurs?

From The Social Network to AMC’s Halt and Catch Fire, key figures in the PC movement, real or imagined, have grown to legendary status in the public consciousness. Perhaps it’s because they are ambitious dreamers, mavericks who shape the way we interact with the world — by way of example, this review was drafted on an iPhone and written up on a Macbook — or perhaps because they provide an point of entrance into the digital realm, which is otherwise so hard to dramatize.…