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Michael Sarnoski’s The Death of Robin Hood is the latest attempt to reinvent England’s most enduring outlaw.
We’ve had the iconic swashbuckler, the historical epic, the gritty origin story. Ridley Scott’s Robin Hood and Otto Bathurst’s version with Taron Egerton at least preserved the sense that beneath the grime remained a fundamentally heroic figure.…
Dante begins The Divine Comedy lost in a dark wood. Julian Schnabel’s In the Hand of Dante invites us to follow him there.
Adapted from Nick Tosches’ notoriously unfilmable novel, Schnabel’s first feature since At Eternity’s Gate is part literary mystery, part gangster thriller, part historical epic, part theological meditation.…
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